Various - Themes From The Film "Slaughterhouse Five"
|1||–Johann Sebastian Bach||Goldberg Variations, S. 988 - Variation 25||5:08|
|2||–Douglas Leedy||Doria (Excerpt)||3:51|
|3||–Johann Sebastian Bach||Harpsichord Concerto No. 5 In F Minor, S. 1056 - 2nd Movement (Largo)||3:15|
|4||–Johann Sebastian Bach||Harpsichord Concerto No. 3 In D, S. 1054 - 3rd Movement (Allegro)||2:53|
|5||–Douglas Leedy||The Harmonarium (Excerpt)||3:18|
|6||–Johann Sebastian Bach||Fantasia On "Komm, Heiliger Geist", S. 651||7:07|
|7||–Douglas Leedy||Star Engine (Excerpt)||3:11|
|8||–Johann Sebastian Bach||Brandenburg Concerto No. 4 In G, S. 1049 - 3rd Movement (Presto)||5:33|
|9||–Johann Sebastian Bach||Goldberg Variations, S. 988 - Aria & Variations 1 & 18||6:57|
|10||–Douglas Leedy||White Landscape (Excerpt)||4:33|
|S-36876||Various||Slaughterhouse Five • Themes From The Film (LP, Album, RE)||Angel Records||S-36876||US||Unknown|
- Conductor – Yehudi Menuhin (tracks: A1,A3,A5,B1,B3,B5)
- Harpsichord – George Malcolm (tracks: A1,A3,A5,B1,B3,B5), Helmut Walcha (tracks: A1,A3,A5,B1,B3,B5)
- Orchestra – Menuhin Festival Orchestra (tracks: A1,A3,A5,B1,B3,B5)
- Organ – Edouard Commette (tracks: A1,A3,A5,B1,B3,B5)
- Producer – George Sponhaltz
- Synthesizer [Buchla] – Douglas Leedy (tracks: A2,A4,B2,B4)
- Synthesizer [Moog] – Douglas Leedy (tracks: A2,A4,B2,B4)
This is not the official soundtrack album to the film. "For this recording, Angel Records has taken certain liberties in keeping with the spirit of the motion picture. In an attempt at literal duplication of Bach's music as it is heard in Glenn Gould's "Slaughterhouse Five" score would result in a scant dozen minutes of music, some in snatches of but 10 or 20 seconds. Much fuller presentations of each selection are heard here."
"As bridges between the music of Bach -- to replace the long, pregnant silences which are so brilliantly effective within the context of the film -- electronic environments by Douglas Leedy have been utilized to suggest Billy Pilgrim's unfettered shifting in time and space."
Покупайте и продавайте винил и. Slaughterhouse-Five Themes. Themes are overarching ideas and beliefs that the writers express in their texts including poetry, fiction, and plays. Themes make the story appealing and persuasive and help readers to understand the hidden messages in a story or poem. Kurt Vonnegut has inserted various themes in Slaughterhouse-Five, his phenomenal novel. The novel deal with the dilemma of war and its impacts on the victims. Some of the major themes in Slaughterhouse-Five have been discussed below. Themes in Slaughterhouse-Five. Theme 1. Destructiveness of War. The destructiveness of war is the major theme of Slaughterhouse-Five. By Kurt Vonnegut. Fate and Free Will. In Slaughterhouse-Five, the primary upshot of what Billy Pilgrim learns from the plunger-shaped aliens is this: if we cannot change anything about time, there is no such thing as free will. We suppose there are worse lessons to learn from aliens or toilet plungers. After all, free will means the ability to alter your own future. Slaughterhouse Five Themes. GradeSaver, 24 September 2000 Web. Cite this page. Study Guide Navigation. About Slaughterhouse Five. Slaughterhouse Five Summary. Character List. Slaughterhouse Five study guide contains a biography of Kurt Vonnegut, literature essays, quiz questions, major themes, characters, and a full summary and analysis. Slaughterhouse-Five quizzes about important details and events in every section of the book. Whether we read Slaughterhouse-Five as a science-fiction novel or a quasi-autobiographical moral statement, we cannot ignore the destructive properties of war, since the catastrophic firebombing of the German town of Dresden during World War II situates all of the other seemingly random events. From his swimming lessons at the YMCA to his speeches at the Lions Club to his captivity in Tralfamadore, Billy Pilgrim shifts in and out of the meat locker in Dresden, where he very narrowly survives asphyxiation and incineration in a city where fire is raining from the sky. Slaughterhouse-Five 1972 SoundTracks on IMDb: Memorable quotes and exchanges from movies, TV series and , or The Children's Crusade: A Duty-Dance with Death is a science fiction-infused anti-war novel by Kurt Vonnegut, first published in 1969. It follows the life and experiences of Billy Pilgrim, from his early years to his time as an American soldier and chaplain's assistant during World War II, to the postwar years, with Billy occasionally traveling through time itself. The text centers on Billy's capture by the German Army and his survival of the Allied firebombing of Dresden as a. Listen to all tracks of Slaughterhouse Five , Themes From The Film for free. Tracks In This Album. Harpsichord Concerto No. 5 In F Minor, 2nd Mvt. Largo - Johann Sebastian Bach, Yehudi Menuhin, Menuhin Festival Orchestra, George Malcolm. White Landscape Excerpt - Douglas Leedy. Goldberg Variations, Aria & Variations 1 & 18 - Johann Sebastian Bach, Helmut Walcha. The Harmonarium Excerpt - Douglas Leedy. Brandenburg Concerto No. 4 In G, 3rd Mvt. Presto - Johann Sebastian Bach, Yehudi Menuhin, Bath Festival Orchestra. Slaughterhouse-Five is a 1972 science fiction film based on Kurt Vonnegut's 1969 novel of the same name about a writer who tells a story in random order of how he was a soldier in World War II and was abducted by aliens. The screenplay is by Stephen Geller and the film was directed by George Roy Hill. It stars Michael Sacks, Ron Leibman, and Valerie Perrine, and features Eugene Roche, Sharon Gans, Holly Near, and Perry King. The scenes set in Dresden were filmed in Prague. The other scenes were filmed. Slaughterhouse-Five Study Guide. Course Hero. 28 Nov. 16 June 2020. In text. After he returns from the war Billy Pilgrim achieves the American Dream. He is wealthy and respected in his community, working as an optometrist and serving as the president of the Lion's Club he has a nice modern home and family with a wife and two children he drives an expensive car. Yet he remains disconnected from his life and the people in it. These material possessions and wealth do little to soothe the trauma he has sustained. Billy's material success is surface level only